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the incoming natural light with the studio lighting perfectly

For manual operation,” continues Carter, “we installed touchscreen panels in the studio and the control room and finally linked the led high bay light whole system into the ETC lighting network to allow the SmartGlass to be controlled from the ETC Congo jr lighting desk."

Carter had the entire existing lighting rig ripped out and new gear brought in. “Jeremy Roberts, ETC’s associate regional manager for the UK and Ireland, brought an ETC Selador Vivid-R LED fixture and a traditional 1.2k HMI lamp, and we did a shootout,” he explains. “To our surprise, the Selador was brighter. We didn’t believe it, so we turned everything off and had another go -- and, true enough, the Selador was definitely outperforming the HMI.We ended up installing around 70 Selador fixtures, comprising about 95% of our rig. We only use the tungsten for when we want something for live music acts, which take place on a small stage at one end of the studio.”

“The Seladors allow me to mix the incoming natural light with the studio lighting perfectly, and because of the range of colors the led linear high bay light fixtures output, we know that the white balance will always be perfect. These were the only lights that we’re aware of that have such impressive brightness and saturation.”
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